ࡱ> hjg h]bjbj 0^-LL:4JJJJ% E Q,r9Y%%YYJJY"JJY Uq`{^!y 0:),UU$YYYYYY:YYYYYYYYY N:    REGIS C. BRODIE Born-1942, Pittsburgh, Pennsylvania, USA Emeritus Professor of Art, ϳԹ, Saratoga Springs, NY 12866 Work Phone 518 580 5000 Ext.4314 Home Phone 518 584 5514 Fax # 518 226 0914 Email Address-  HYPERLINK "mailto:rbrodie@skidmore.edu" rbrodie@skidmore.edu Web Page-http://www.rcbrodie.com EDUCATION 1969- M.F.A., Tyler School of Art of Temple University (Ceramics, Minor Sculpture) 1966- M.Ed., Indiana University of Pennsylvania (Painting, Minor Ceramics) 1965- B.S., Indiana University of Pennsylvania (Art Education) ACADEMIC POSITIONS 1969-2010 -Professor of Art, ϳԹ (41 Years) 1972-2006 -Director of the Summer SIX Art Program, ϳԹ (35 Years) SPECIAL AWARDS Emeritus Professor of Art, 2011- Present New York State Art Teachers Association, "Special Citation 2005 Award", ( (Contributing significantly to the field of Art Education in New York State) 2004 & 2005 Residency Program, International Symposium   Outdoor Ceramic Sculpture , World Ceramic Exposition Foundation, Yeoju, Korea (One of ten ceramic artists invited from 5 countries- Japan, Korea, Spain, Wales, & America) "Visiting Fellow", University of Wales Institute, Cardiff, UK, May, 2001 "The Ella Vandyke Tuthill Endowed Chair in Studio Art", ϳԹ, (1st Recipient) "The Edwin M. Moseley Faculty Research Lecturer", ϳԹ - 1988 (The highest honor the Faculty as a whole can confer on one of its own members) EXHIBITIONS JURIED & INVITATIONAL (Selected) 40th Anniversary Benefit Invitational, Harvard University, Cambridge, Massachusetts "American Masters-Artists", Sante Fe, New Mexico, "Soup Tureens," American Craft Museum, New York, NY; & Cranbrook Academy of Art, MI "Inter-D2", International Craft Exhibition, McAllen, Texas SOFA New York, 2007 The International Exposition of Sculpture Objects & Functional Art, NY Interconnections, University of Wales Institute, Cardiff, Wales, United Kingdom 2006 Collectors Show, Arkansas Arts Center, Little Rock, Arkansa Contemporary Interpretations, Craft and Folk Art Museum, L.A, CA, & Alfred University, NY Upstate Visions, 4-Person Show, Loveed Fine Arts, Madison Ave., New York, NY 3rd International Biennale- 2005, World Ceramic Exposition Foundation, Icheon, Korea UNIVERSITY & MUSEUM COLLECTIONS INTERNATIONAL Escuela de Arte Francisco Alcantara, (National School of Ceramics), Madrid, Spain Museo de Ceramica, (National Ceramics Museum of Spain), Barcelona, Spain Musee National de la Ceramique, (National Ceramics Museum of France), Sevres, France Potteries Museum and Art Gallery, Stoke-on-Trent, England, UK National Museums & Galleries of Wales, Cardiff, Wales, UK University of Wales Institute, Cardiff, Wales, UK Regional Museum of Art, Tula, Russia Embassy of the United States of America, Cairo, Egypt Raccolta Internazionale D'Arte Ceramica Contemporanea, Castelli, Italy Museo Internazionale della Ceramiche, Faenza, Italy World Ceramic Exposition Foundation, Icheon, Korea UNIVERSITY & MUSEUM COLLECTIONS - NATIONAL Albany Institute of History & Art, Albany, NY Delaware Art Museum, Wilmington, DE Everson Museum of Art, Syracuse, NY Hyde Collection, Glens Falls, NY Indiana University of Pennsylvania, Indiana, PA Long Beach Museum of Art, Long Beach, CA Nelson Museum of Art, Arizona State University, Tempe, AZ Roberson Center for Art & Sciences, Binghamton, NY Schenectady Museum, Schenectady, NY Southern Connecticut State University, New Haven, CT Tang Teaching Museum and Gallery, Saratoga Springs, NY Tyler School of Art, Temple University, Philadelphia, PA Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT CORPORATE & PRIVATE COLLECTIONS Adirondack Trust Co., Saratoga Springs, NY Avon Products, Inc., World Headquarters, NY, NY Charles Wood Foundation Collection of Art, Glens Falls, NY General Electric Company, Schenectady, NY Hoffman-LaRoche Pharmaceutical, Nutley, NJ Lehigh-Portland Cement Co., Allentown, PA Phoenix Life Insurance Co., East Greenbush, NY Saratoga Hospital, Saratoga, NY United States Steel, Laurel Ridge, Corporate Home Site, Ligonier, PA Verizon Corporation, White Plains, NY LECTURES INTERNATIONAL Okayama University, Okayama, Japan World Ceramic Exposition Foundation International Symposium, Yeoju, Korea American College in Paris, France Association Franco-Americaine de Design (Parson's School of Design) Paris, France Studio Art Centers International (SACI), Florence, Italy Accademia Di Belle Arti Della Aquila, Aquila, Italy The Instituto D'Arte Di Castelli, Castelli, Italy National College of Art and Design, Dublin, Republic of Ireland Camberwell College of Art and Design, London, England, UK Central School of Art and Design, London, England, UK School of Art and Design, Staffordshire University, Stoke-on-Trent, England, UK Glasgow School of Art, Glasgow, Scotland, UK University of Wales Institute, Cyncoed Campus, Cardiff, UK University of Wales Institute, School of Art, Howard Gardens, Cardiff. UK Escuela de Arte Francisco Alcantara, Madrid, Spain Museo de Ceramica, Barcelona, Spain, Int. Academy of Ceramics General Assembly (IAC) Universitat de Barcelona, Spain Universitat de Madrid, Madrid, Spain Konstfackskolan -State School of Art & Design, Stockholm, Sweden LECTURES NATIONAL American Craft Museum, New York, NY Arizona State University, Tempe, AZ Art Institute of Chicago, Chicago, IL Boston University, Boston, MA, NCECA conference California College of Arts and Crafts, Oakland, CA Carnegie-Mellon University, College of Fine Arts, Pittsburgh, PA Chatham College, Art Department, Pittsburgh, PA Cleveland Institute of Art, Cleveland, OH Colgate University, Hamilton, NY College of New Rochelle, New Rochelle, NY Everson Museum of Art, Syracuse, New York Florida State College, Bradenton, Florida, '84, '89, '97, 02, 04 & 09 George Mason University, Fairfax, Virginia Georgia State University, Atlanta, GA, panelist, NCECA conference Hartwick College, Oneonta, NY Harvard University, Ceramics Program, Cambridge, MA Honolulu Academy of Arts and The Pot Factory Hilo, HI Hui No'Eau, Visual Arts Center, Maui, HI Long Beach Museum of Art, Long Beach, CA Louisiana State University, Baton Rouge, Louisiana, NCECA Conference New York University, NY, NY, "The Case for Clay in Secondary Art Education", paper presented Manchester Crafts Guild, Pittsburgh, PA Millersville State College, Millersville, PA Massachusetts College of Art (of the University of Massachusetts), Boston, MA Wesleyan University, Middleton, CT Wesleyan Potters, Inc., Middleton, CT Penland School of Crafts, Penland, NC Santa Fe Clay Studio, Santa Fe, NM Smithsonian Institution, Washington, D.C. Southern Illinois University, Carbondale, IL SUNY Albany, Albany, NY SUNY, Oswego, Oswego, NY Syracuse University, Syracuse, NY Tyler School of Art of Temple University, Philadelphia, PA University of Hawaii, Honolulu, HI University of Arizona, Tucson, AZ University of Central Florida, Orlando, FL University of Colorado, Boulder, CO University of Dallas, Irving, TX University of Houston, Houston, TX Vanderbilt University, Nashville, TN Washington University School of Fine Arts, St. Louis, MI GALLERY AFFILIATION Loveed Fine Arts, 575 Madison Ave. Suite 1006, New York, New York 10022 James Gallery, 413 South Main Street, Pittsburgh, PA 15220 Lattitude, 211 Newbury Street, Boston Massachusetts PUBLICATION AUTHOR "The Energy-Efficient Potter" by Regis C. Brodie, Book, Watson-Guptill Publications, May 1982 The Studio Potter, June 1997, Article, "Re-firing a Second Chance, by R. Brodie, Vol. 25, #2 Ceramics Monthly, May 1994, Article, "The Creative Process" by Regis Brodie, pp. 5, 31-33 Ceramic Scope, 1993, Volume 30, # 1, "Kilns: The Potter's Fire", by Regis C. Brodie, pp. 12-18 The Studio Potter, June 1988, pp. 55-56, Article, "Close Encounters with the 3rd Dimension The Studio Potter, December 1986, pp. 39-40 & 48 Article "Multi-Firing: Another Way" NCECA Journal, 1984, Volume 5, Article, "Efficiency in Kiln Building and Firing" By Regis C. Brodie, pp. 59-61 (National Council on Education for the Ceramic Arts) The Studio Potter, June 1984, Article, "Ceramic Fiber 1984, " by Regis C. Brodie, pp. 33-41 Ceramics Monthly, March1984, Article, "Fiber Insulating a Salt Kiln" by R. Brodie, pp. 67-71 Ceramics Monthly, September 1983, Article, "Ceramic Fiber 1984," by R. Brodie, pp. 38-40 CONTRIBUTING AUTHOR Studio Practices, Techniques and Tips Edited by Anderson Turner, Ceramics Monthly, Updated Article on Insulating Existing Kilns, by Regis C. Brodie, pp.101-103, Published by The American Ceramic Society, Westerville, Ohio, 2003 "Ceramics, Mastering the Craft, by Richard Zakin. A section on multi-firing, pp. 238-241. Chilton Book Co, Radnor, PA, 1990 WORK INCLUDED IN BOOKS OR PERIODICALS "Working With Clay" 3rd ed., by Susan Peterson, p.152, Prentice Hall, London, UK, 2009 Ceramics TECHNICAL, Issue # 24, 2007, The International Residency for Outdoor Ceramic Sculpture by Brad Taylor, pp 1, & 9-16. (Text & 2 Images), Paddington, Australia Revista Ceramica (National Ceramics Magazine Of Spain), Issue #86, 2003,Regis Brodie- A Vision Defined, by Roberta Griffith, pp 78- 81, (six color & 7 black & white images) "Working With Clay" 2nd ed., by Susan Peterson, Prentice Hall, London, UK, 2002 p.127 "Make it in Clay: A Beginner's Guide to Ceramics," 2nd Edition by Charlotte F. Speight & John Toki, Mayfield Publishing Company, 2001, pp. 129 & 143, color plate p. 27 "Ceramics: Mastering the Craft," 2nd edition, Krause Publications, Iola, WI, by R Zakin, 2001 "The Contemporary Potter," Rockport Publishers, Gloucester, MA, Fall 2000, pp 130 & 146 "Working With Clay," by Susan Peterson, Prentice Hall, Upper Saddle River, NJ, 1999 p. 103 "The Best of Pottery 2,"selected by Fina & Gustin, Quarry Books, MA, 1998 p. 70, and cover "Make it in Clay: A Beginner's Guide to Ceramics," by Charlotte F. Speight & John Toki, Mayfield Publishing Company, 1997, pp. 111 & 123, color plate p. 24 "The Best of Pottery", Quarry Books, Rockport, MA, 1996, p. 81 "The Electric Kiln Ceramics," 2nd ed., by Richard Zakin, Chilton Book Co., Randor, PA, 1994 "The Craft and Art of Clay," by Susan Peterson, Prentice Hall, Englewood Cliffs, NJ, 1991 "Ceramics, Mastering the Craft," by Richard Zakin. Chilton Book Co. Radnor, PA, 1990, p. 240 American Ceramics: The Collection of the Everson Museum of Art," edited by Barbara Perry, Rizzoli International Publications, Inc., New York, NY, 1989, pp. 216-217. Revista Ceramica, Issue No. 28, Page 63, and Revista Ceramica, Issue No. 21, Page 52 Revista Ceramica, Issue No. 16, 1983, "Regis Brodie," by Barry Targon, pp. 40-47 The Studio Potter, Volume 12, #1, Dec.1983, "Hudson Valley Potters," article & photos, pp. 2-4 Funk and Wagnalls Encyclopedia, 1976 through 1982 editions "Porcelain: Tradi=F ! , - P jRAR h,6hkJ0JCJOJQJaJ.jh,6hkJB*CJOJQJUaJph4jh,6hkJB*CJOJQJUaJph.jh,6hkJB*CJOJQJUaJph%h,6hkJB*CJOJQJaJphhkJB*CJOJQJaJphh,6hkJCJOJQJaJhkJCJOJQJaJhkJCJOJQJh,6hkJ5CJOJQJh,6hZ/CJOJQJ=Q R \ 9 : M   I`gdkJ |]|`gdkJ |Z]|`ZgdkJ|>Z]|^>`ZgdkJ `gdkJ gdkJP Q R \ ` a b : M R V b j z   9 ɶɶɶɶɶɶɶɶɡ땈yiyh,6hkJ6CJOJQJaJh,6hkJCJOJQJaJh,6hkJCJOJQJhkJCJOJQJaJ(h,6hkJ>*B*CJOJQJaJph%h,6hkJB*CJOJQJaJphhkJB*CJOJQJaJph"hkJ5B*CJOJQJaJph(h,6hkJ5B*CJOJQJaJph!I9 ?D6 L]L`gdkJ R]R`gdkJ |>]|^>gdkJ >80]0`gdkJ |]|`gdkJ `gdkJ9:  &Ƚ{hXE%hd3hkJB*CJOJQJaJphhkJCJOJQJ^J_H aJ$h,6hkJCJOJQJ^J_H aJhihkJCJH*OJQJhkJ5CJOJQJaJhd3hkJ5CJOJQJaJhkJCJOJQJhihkJCJOJQJhkJ5CJOJQJ%h,6hkJB*CJOJQJaJphhkJB*CJOJQJaJph(hd3hkJB*CJH*OJQJaJph&(=>?@ftwCDEwxޮޮޛzeOBBh,6hkJCJOJQJ+hzXhkJ5>*B*CJOJQJaJph(hhhkJ5B*CJOJQJaJph%hTbhkJB*CJOJQJaJphh,6hkJ5CJOJQJ%h,6hkJB*CJOJQJaJph%hd3hkJB*CJOJQJaJphhkJCJOJQJ%hhhkJB*CJOJQJaJphhkJB*CJOJQJaJph"hkJ5B*CJOJQJaJph 156]RS`azóó~o\L@oLoL\h,6hkJ>*OJQJh,6hkJ5CJOJQJaJ%h,6hkJB*CJOJQJaJphh,6hkJCJOJQJaJhihkJCJOJQJh,6hkJCJOJQJhkJCJOJQJaJhTbhkJCJOJQJaJhkJB*CJOJQJaJph%hhhkJB*CJOJQJaJph%hTbhkJB*CJOJQJaJphhTbhkJCJOJQJhkJCJOJQJa>ze6g`gdkJ 1$7$8$H$`gdkJ ]`gdkJ |]|`gdkJ `gdkJ  `gdkJz6jk}~![οzlWWWWWAWW+h,6hkJ5>*B*CJOJQJaJph(h,6hkJ5B*CJOJQJaJphh,6hkJ5>*OJQJhZY hkJCJOJQJ%h,6hkJB*CJOJQJaJphh,6hkJ5CJOJQJhkJCJOJQJh,6hkJCJOJQJh,6hkJCJOJQJaJh,6hkJCJOJQJaJ%h,6hkJB*CJOJQJaJphh,6hkJ5>*OJQJaJAt=~!\ 6f C  `gdkJ |]|`gdkJ[\tv%&5e C;S adx  Z!g!{!!!!!"1"d"#ػػ؝جػػجu$h,6hkJCJOJQJ^J_H aJh,6hkJ5OJQJhkJ5OJQJh,6hkJCJOJQJaJh,6hkJCJOJQJaJh,6hkJCJOJQJhkJB*CJOJQJaJph%h,6hkJB*CJOJQJaJph(h,6hkJ5B*CJOJQJaJph,;oQ S abcdx `]``gdkJ 1$7$8$H$`gdkJ |]|`gdkJ J !0!Z!!!"1"e""""C####I${$$$ |]|`gdkJ |]|`gdkJ##%I%'9's't'''' (((?(@(T(U((عا؂tj]jM@1h,6hkJCJOJQJaJ h*B*CJOJQJaJph$$%K%d%~%%%&=&w&&&':'s't''' (@(U( |]|gd8b `gdkJ |]|`gdkJ |]|`gdkJU(()k))&*{**&+++8,:,N,5-----8..6666666666666666666666666666666666666666666666666hH6666666666666666666666666666666666666666666666666666666666666666666666666662 0@P`p2( 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p8XV~_HmH nH sH tH @`@ NormalCJ_HaJmH sH tH \@\ Yk Heading 1$|@&]|5>*B*CJOJQJaJphH@H Yk Heading 4$<@& 5CJaJDA`D Default Paragraph FontRiR  Table Normal4 l4a (k (No List 0U@0 ?_/ Hyperlink>*B*@V@ ?_/FollowedHyperlink>*B* PK!pO[Content_Types].xmlj0Eжr(΢]yl#!MB;.n̨̽\A1&ҫ QWKvUbOX#&1`RT9<l#$>r `С-;c=1g'}ʅ$I1Ê9cY<;*v7'aE\h>=,*8;*4?±ԉoAߤ>82*<")QHxK |]Zz)ӁMSm@\&>!7;ɱʋ3װ1OC5VD Xa?p S4[NS28;Y[꫙,T1|n;+/ʕj\\,E:! t4.T̡ e1 }; [z^pl@ok0e g@GGHPXNT,مde|*YdT\Y䀰+(T7$ow2缂#G֛ʥ?q NK-/M,WgxFV/FQⷶO&ecx\QLW@H!+{[|{!KAi `cm2iU|Y+ ި [[vxrNE3pmR =Y04,!&0+WC܃@oOS2'Sٮ05$ɤ]pm3Ft GɄ-!y"ӉV . `עv,O.%вKasSƭvMz`3{9+e@eՔLy7W_XtlPK! ѐ'theme/theme/_rels/themeManager.xml.relsM 0wooӺ&݈Э5 6?$Q ,.aic21h:qm@RN;d`o7gK(M&$R(.1r'JЊT8V"AȻHu}|$b{P8g/]QAsم(#L[PK-!pO[Content_Types].xmlPK-!֧6 -_rels/.relsPK-!kytheme/theme/themeManager.xmlPK-!!Z!theme/theme/theme1.xmlPK-! ѐ'( theme/theme/_rels/themeManager.xml.relsPK]# - ^P &z[#(h] !#%(+I$U(1h]"$&')*,  -X8@0( VobjectXbehavior B S  ? _Hlt88542661-@-|-!3]En####$$-::::::h.kJ8bZ/--@4.4TTR,-X@X X@X@UnknownG*Times New Roman5Symbol3 *ArialEgHelvetica NeueC MArialMTArial;[xPHelveticaACambria Math AhZ&Z&)F&R&R!24--K#Q?:2 ,REGIS CRichard Linke User Peter Stake  Oh+'0-  < H T `lt|'REGIS CRichard Linke User Normal.dotm Peter Stake2Microsoft Macintosh Word@@JI@d`@d`&G+PICT+zb HHb bHHBbb !! 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